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Reading Il Caffè: scientific method and economic knowledge in the “School of Milan”  287



             2.“Nose-ological Elements Demonstrated by Mathematical Method”:
                Readings from Il Caffè

                «This  work  was  launched  by  a  small  group  of  friends  for  the
             pleasure of writing, for love of praise and with the ambition (which
             they are not ashamed to confess) of awakening a more vital taste for
             reading in Italian spirits, as well as an esteem for the sciences and the
             arts, and - most important – a love of virtue, honesty; the fulfillment of
             one’s duties»: so recites the appeal “To the reader” in the first issue of
             Il Caffè, setting a program faithfully adhered to and developed in the
                                    30
             two years that followed .
                The  “esteem  for  the  sciences”  was  without  doubt  among  the
             principal traits of the articles which appeared in the periodical between
             1764 and 1766, even though one of the questions most tenaciously
             examined by these enlightened Lombards was precisely the clarification
             of the term ‘science’ and the definition of the limits of applicability of
             the scientific method to a knowledge of the economy and the society: a
             task which the adepts of the Accademia dei Pugni considered must
             necessarily regard the reforming intellectual closely, forming part of
             his “fulfillment of [his] duties”, as well as satisfying his love for «virtue»
             and «honesty». The ample and suggestive description in Verri’s Temple
             of Ignorance 31  (‘Tempio dell’Ignoranza’), which appeared in one of the
             first sheets printed by the Enlightened Milanese in 1761, furnishes us
             with a powerful analysis of cultural structure and knowledge which
             was the heritage of earlier centuries, and at the same time, formulates
             a lucid procedural program:

                The vast temple is Gothic in structure, and at the topmost point of its great
             portal, roughly hewn, an enormous yawning mouth may be discerned; on the
             two sides of this door stand two statues, one to the right and the other to the
             left, each naughtily turning its back in the very act of going off in the opposite
             direction  from  the  other  –  and  on  the  pedestal  of  the  one  we  see  etched
             Theory, on the other read Practice .
                                           32
                Thus  the  schematic,  sclerotic,  opposition  between  theory  and
             practice is the premonitory sign of ignorance, which finds its resolution
             in the long description of the temple’s interior nave and, above all, of
             the crypt hollowed out beneath it, filled with






                30  FR1, 5; the italics are mine.
                31  FR1, 27-9.
                32  FR1, 28-9.


             n.43                            Mediterranea - ricerche storiche - Anno XV - Agosto 2018
                                                      ISSN 1824-3010 (stampa)  ISSN 1828-230X (online)
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