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470                                              Miguel José Deyá Bauzá


                The author, the play and the edition used

                   José de Cañizares was born in Madrid in 1676 and died there in
                1750 .  He  carried  out  his  profession  as  playwright  long  after  the
                     1
                historical  episode  he  writes  about.  Throughout  his  life,  which
                encompassed part of the reigns of Charles II and Philip V, and hence
                the War of Spanish Succession, Spanish foreign policy was not much
                concerned  with  North  Africa,  with  the  notable  exception  of  the  re-
                conquest  of  Oran  in  1732.  It  is  therefore  not  very  likely  that  the
                political events that unfolded while he was alive had much influence
                on his choice of topic for the play. The rekindling of interest in North
                Africa  at  the  end  of  the  eighteenth  century  and  beginning  of  the
                nineteenth century is a different matter. Cañizares was undoubtedly
                among  the  major  exponents  of  baroque  theatre  when  attempts  at
                introducing  French  and  neoclassical  culture  into  Spain  were  being
                made under the new regime of Phillip V, despite the fact that the elites
                as well as the masses preferred more traditional and dynamic plays
                along  the  lines  of  those  written  by  Calderón  and  Lope  de  Vega .
                                                                                  2
                According to theatre experts, Cañizares’s plays are related to those of
                Calderon. However, the play we are concerned with here has more to
                do with Lope de Vega’s plays, and specifically with El cerco de Viena y
                socorro de Carlos Quinto [Charles V comes to the aid of the besieged
                city of Vienna]. Although there is no evidence that El cerco de Viena y
                socorro de Carlos Quinto was performed in Madrid between 1661 and
                1819, this does not mean that he was unfamiliar with it . From 1702
                                                                       3
                until his death, Cañizares held the position of Fiscal de Comedias de
                Madrid – that is he was a member of the Board of Theatrical Censors
                – and as a result of this he made enemies. He combined that role with
                another,  as  composer  of  Sacred  Letters  (mostly  carols  in  the
                vernacular) for the Royal Chapel which he obtained in 1700 or 1701,
                although his official appointment to that position did not occur until
                1736. Cañizares also held a military position as a Lieutenant in the
                cavalry, although this appears not to have lasted very long, but it could
                well have contributed to his interest in military topics .
                                                                    4


                   1   A.V.  Ebersole,  José  de  Cañizares,  dramaturgo  olvidado  del  siglo  XVIII,  Editorial
                Ínsula, Madrid, 1975, p. 7.
                   2  Ivi, pp. 8, 11.
                   3   A.M.  Coe,  Catálogo  bibliográfico  y  crítico  de  las  comedias  anunciadas  en  los
                periódicos de Madrid desde 1661 hasta 1819, John Hopkins University Press, Baltimore,
                1935;  R.  Andioc,  M.  Coulon,  Cartelera  teatral  madrileña  del  siglo  XVIII  (1708-1808),
                Presses Universitaires du Mirail, Toulouse, 1996.
                   4   J.  Herrera  Navarro,  Catálogo  de  autores  teatrales  del  siglo  XVIII,  Fundación
                Universitaria Española, Madrid, 1993, p. 76.



                Mediterranea - ricerche storiche - Anno XVII - Agosto 2020
                ISSN 1824-3010 (stampa)  ISSN 1828-230X (online)
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