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372   María José Rodríguez Salgado, Rubén González Cuerva, Miguel Ángel de Bunes Ibarra


                Goleta which was handed over to Charles V. González Cuerva traces the
                creation  of  a  Habsburg  protectorate  over  the  ancient  Hafsi  kingdom
                from the point at which both sovereigns met, and describes how they
                were  able  to  communicate  and  how  they  negotiated  their  personal
                encounters. He places their relationship in the context of the rich, late-
                Medieval Iberian tradition of alliances between Christian and Muslim
                monarchs. He also demonstrates the important role of intermediaries,
                and  how  the  exchange  of  gifts  and  rituals  of  mutual  courtesy  were
                employed both to project the emperor’s magnificence and the good faith
                and friendship of the Tunisian ruler.
                   The volume ends with Miguel Deyá’s study of José de Cañizare’s long
                forgotten play, Carlos V sobre Túnez, written around 1705. At first sight
                it seems surprising that so long after the event, both contenders for the
                throne  of  Spain  during  the  War  of  Spanish  Succession  should  have
                turned  to  this  campaign  at  a  crucial  moment  in  their  conflict.  For
                supporters  of  the  Habsburg  candidate  it  was  a  testimony  to  the
                greatness of their dynasty. For the Bourbons it was a way to associate
                themselves  with,  and  even  to  appropriate,  an  important  event  in
                Spanish history and share its reflected glory. Consequently, the play
                avoided criticism of the French which had been such an integral part of
                the  original  campaign  propaganda  and  subsequent  narratives.  Less
                obvious is why the play should have remained relatively popular during
                the XVIII, particularly in the final decades, as is demonstrated by Deyá’s
                detailed data of new productions and revivals. He offers a multi-layered
                explanation that merges an analysis of the message of the play with the
                national  and  international  political  context,  the  importance  of  its
                author, and the situation in Spanish theatres. Its revival during the War
                of Independence against Napoleon is attributed primarily to a surge of
                Spanish  patriotism  which  resonated  with  that  running  through  the
                play. The article confirms how the emperor’s campaign had become a
                fundamental element in Spanish nationalism.
                   With  these  original  and  diverse  contributions  we  have  sought  to
                widen  the  study  of  the  important  topic  of  European  and  Ottoman
                expansion  in  North  Africa  during  the  early-modern  period,  and  to
                highlight how much more there is still to research on the struggle for
                control of Tunis.

                                                       María José Rodríguez Salgado
                                                             Rubén González Cuerva
                                                        Miguel Ángel de Bunes Ibarra








                Mediterranea - ricerche storiche - Anno XVII - Agosto 2020
                ISSN 1824-3010 (stampa)  ISSN 1828-230X (online)
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