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A baroque vision of the conquest of Tunis in 1535                483


                       Charles  V  continues  criticizing  Mulay  for  having  personally
                    participated in the looting of La Goleta, a disgraceful act unbecoming
                    of royalty. In order for him to refrain from committing such an act
                    again,  the  Emperor  gives  him  25,000  ducats.  The  Emperor’s  moral
                    superiority is not only emphasised by the money given, but because
                    he reprimands Mulay in private, as if a king could only be censured
                    by another monarch without his subjects being witnesses. He goes on
                    to reiterate that the wrath of a monarch must only be directed against
                    another sovereign . He then demands as tribute from the Muslim king
                                      44
                    not  the  usual  monetary  payment,  but  the  promise  that  Mulay  will
                    respect his vassals and act mercifully towards them .
                                                                       45
                       At the end of that scene an attack by Barbarossa is announced and,
                    despite the danger and against the advice of some of his advisers, the
                    Emperor  refuses  to  withdraw,  deciding  instead  to  confront  him  in
                    order to achieve a goal that once more puts him in a morally elevated
                    position: rescuing Barbarossa’s twenty thousand Christian captives.
                    A sharp contrast, also of a moral nature, is made between the Emperor
                    and Barbarossa. Whereas the former appears in the play at the head
                    of his troops on various occasions, the latter insults and abuses his
                    men  when  the  battle  turns  against  him.  When  the  Jewish  corsair
                    Sinan tries to justify his defeat at La Goleta, the Spaniards are again
                    presented  as  lions,  but  otherwise,  the  arguments  that  Cañizares
                    attributes  to  him  are  similar  to  those  included  in  the  chronicle  of
                    Illescas . At this point in the play, Barbarossa is presented in a more
                            46
                    sinister light, ordering that if he is taken prisoner, the dungeons where
                    the Christian captives are held should be set on fire .
                                                                       47
                       During the battle that takes place as Barbarossa tries to retake La
                    Goleta, Marfilia – the witch-like figure in love with Mulay – uses her
                    magical powers to help the Spaniards:

                       las tropas de Carlos Quinto
                       deshacen y desbaratan
                       los turquesos escuadrones,
                       mas no con menos bizarra



                       44  «Nobody other than another king / deserves to be the recipient of a king’s enmity».
                       45  «Pay homage to me in that / you will be merciful, / kind, attentive and affable, /
                    towards your vassals / refraining from any blind passions» (p. 26).
                       46  Compare Illescas’s chronicle where Sinan declares: «I’m telling you, my Lord, that
                    if I had to fight men, I wouldn’t flee, but I was facing the devil and common sense told
                    me to reserve myself for a more appropriate occasion» (G. de Illescas, Jornada cit., p.
                    455), with the play (p. 30): «Had you ordered me / to fight men I would have had no
                    fear, / but confronting invincible devils; / and facing the furies of hell, / is an impossible
                    task for any man».
                       47  K. Brandi, Carlos V, Editora Nacional, Madrid, 1943, p. 306, believes this to be true.


                                                Mediterranea - ricerche storiche - Anno XVII - Agosto 2020
                                                           ISSN 1824-3010 (stampa)  ISSN 1828-230X (online)
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