Page 219 - sfogliabile 49
P. 219

A baroque vision of the conquest of Tunis in 1535                485


                       The Emperor marvels at the Spanish character while confirming
                    the deeply rooted social hierarchy of the period:

                       Está bien que, aunque gente baja,
                       española ha de tener
                       esta honra y esta jactancia (p. 33) 51 .

                       The  scene  of  Barbarossa’s  interrogation  of  the  captive  Spanish
                    captain,  Ripalda  serves  as  a  contrast  and  counterbalance  to  this
                    encounter.  Ripalda  is  a  largely  fictional  character.  He  was  not  a
                    captain but the commander of a regiment, and thus interacted closely
                    with the emperor as it is shown in the play. He was a noble, not a
                    commoner.  He  was  wounded  but  not  captured.  Clearly  the  author
                    changed the facts for dramatic effect , and to create an unblemished,
                                                        52
                    heroic character who explains and facilitates the fate of the Christian
                    captives in Tunis. The captain refuses to reveal the Emperor’s plans
                    and Barbarossa orders him to be locked up in the alcazaba, which is
                    to  be  set  on  fire  rather  than  let  it  fall  into  Christian  hands.
                    Barbarossa’s evil plans are thwarted by Ripalda who overpowers the
                    guards taking him to the dungeons and frees the other captives, who
                    rebel against their jailers. In fact, the rebellion of the captives in Tunis
                    appears to have been engineered by a Spanish renegade . With this,
                                                                            53
                    Barbarossa disappears from the play.
                       In  the  next  scene  a  new  character  appears  linked  to  Charles  V:
                    Fame. The Emperor is presented as the new Scipio and the taking of
                    the city is attributed to the heroic act of Captain Ripalda, who is now
                    ennobled and given the much-coveted honour of a knighthood in a
                    Military Order. This shows Charles V as king of Spain and head of the
                    social  hierarchy,  the  only  one  with  power  to  confer  nobility;  it  also
                    identifies him as the champion of Christendom. While the hierarchical
                    system is constantly reinforced, serving the Crown is presented as a
                    way of transcending a lowly status.




                       51  «It is good that the Spaniards / though of lowly status / should have such honour
                    and pride» (p. 33).
                       52  A. de Ceballos-Escalera, Guerra y nobleza cit., p. 144.
                       53  The captives, estimated at between 16,000 and 20,000, were released as a result
                    of the betrayal of the Spanish renegade Francisco de Medellín, who was pardoned by
                    the Emperor as a reward, A. de Ceballos-Escalera, Guerra y nobleza cit., p. 137. All
                    accounts – Muslim or Christian – agree it was a crucial factor in the Emperor’s victory:
                    K.  Brandi,  Carlos  cit.,  p.  306;  M.Á.  Bunes,  La  ocupación  del  Magreb  por  Hayreddin
                    Barbarroja según el ms. 2459 de la Üniversite Kütüphanesi de Estambul, in M.J. Rubiera
                    (ed.), Carlos cit., p. 192; Seyyid Murad on the life of the Barbarossa brothers in M.Á.
                    Bunes Ibarra, E. Sola Castaño, La vida cit., p. 124.


                                                Mediterranea - ricerche storiche - Anno XVII - Agosto 2020
                                                           ISSN 1824-3010 (stampa)  ISSN 1828-230X (online)
   214   215   216   217   218   219   220   221   222   223   224