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A baroque vision of the conquest of Tunis in 1535                481


                    imperial conquest of the fortress of La Goleta, which had been stoutly
                    defended by the Jewish corsair Sinan, and with Barbarossa’s flight
                    towards the city of Tunis .
                                             37
                       The third act essentially deals with two aspects: on the one hand,
                    it describes the Emperor’s victory in Tunis; and on the other hand, it
                    offers and a more in-depth account of his moral supremacy which is
                    shown to stem in part from his being a legitimate sovereign. It is the
                    latter issue with which the act commences: a face-to-face encounter
                    between  the  Emperor  and  Mulay  in  which  Charles  V  asserts  that
                    «Kings are Deities» and that he considers Mulay a brother. Thus, it is
                    implied  that  the  similarity  and  bond  between  kings  is  above  and
                    beyond differences between a Christian and a Muslim. However, the
                    Emperor reproaches Mulay for the violence he had inflicted on his own
                    family when he seized power in Tunis before Barbarossa’s invasion: he
                    had poisoned his father and murdered his brothers . The play uses
                                                                        38
                    this to demonstrate the superiority of Western, Christian monarchies
                    over  their  Muslim  equivalents,  in  part  because  of  the  principle  of
                    primogeniture . It also serves to condemn Muslims as practitioners
                                  39
                    of barbaric acts and for abiding to customs that are the opposite of the
                    rationality and fairness which are attributed to Christian monarchies.
                       To  that  must  be  added  an  element  of  the  utmost  importance,
                    especially because of its novelty: Charles V’s recrimination of Mulay
                    for his arbitrary and unfair rule over Tunis in the past, which also
                    serves to enhance the Emperor’s moral and political superiority:

                       Vos sois cruel, ambicioso,
                       desconfiado, inconstante
                       y vengativo; no son
                       de Rey estas propiedades
                       no todo lo venga un Rey;
                       arte de reinar es arte
                       de disimular injurias,


                       37  A detail that further illustrates the historical accuracy of the play in general.
                       38  Many sources describe Mulay Hassan’s cruelty both before and after the Emperor
                    helped  him  to  recover  the  throne:  G.  de  Illescas,  Jornada  de  Carlos  V  á  Túnez,
                    Rivadeneyra, Madrid, 1852, pp. xxi, 452. Some even assert that the hostility which some
                    of the Tunisians felt towards him helped Barbarossa to conquer Tunis, P. de Sandoval,
                    Historia  cit.,  vol.  II,  pp.  472,  473,  474,  524.  López  de  Gómara  claimed  that  when
                    Barbarossa  was  at  the  court  in  Constantinople,  he  said  that  Mulay’s  cruelty  had
                    facilitated the conquest of Tunis by the Ottoman-corsair forces: F. López de Gómara,
                    Guerras de mar del Emperador Carlos V, Sociedad Estatal para la Conmemoración de
                    los Centenarios de Felipe II y Carlos V, Madrid, 2000, p. 154. Other sources point to
                    Mulay  Hassan’s  tyranny  as  the  cause  of  his  own  son’s  rebellion  against  him,  A.  de
                    Ceballos-Escalera, Guerra y nobleza cit., p. 136.
                       39  «…although it doesn’t apply among the moors / (in Christian kingdoms) there
                    reigns a just law / whereby the first son to be born is the heir…» (p. 25).


                                                Mediterranea - ricerche storiche - Anno XVII - Agosto 2020
                                                           ISSN 1824-3010 (stampa)  ISSN 1828-230X (online)
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